![]() That said, I have never had an issue with either Radial or DAV gear. ![]() If you need something you could drive your car over, get the JCR. I do that stuff on the mic pre or ITB so I really don't need them. Personally, I think the DAV sounds a little better but the JCR has more controls so… if you like having level/filter/phase/mute on the reamper the choice is obvious. Anything else I should be looking at in that ~$300-400 price range? I was also looking at the Little Labs Redeye 3D combo box that appears to do it all for about $100 less.Īny suggestions, recommendations? I know the Radial stuff is tried and true, but Little Labs has a good reputation too. I was thinking of going with the Radial DI and reamp boxes, are they still kind of the standard? I was looking at the passive Jensen-equipped JDI and the passive JCR - is there any reason to go 48V active over passive for this application? I would also like to be able to play those DI tracks back out and experiment with different amps and mic placement after the session. ![]() I would like to be able to record both DI and mic'd amp tracks at the same time so that I can leave myself options for future amp modelling or reamping of the DI tracks. Right now I can either mic my amps or go direct into a mic preamp but not both. I now use it everyday and I wish I hadn't Put off buying it for so long.Hello, I'm looking to add some DI & reamping capabilities to my home recording rig. This makes for a much cleaner signal and when testing in real time and doing an a/b test of the guitar coming the amp directly versus it going through the computer and the re amp box I found it arguably similar. I think this is mainly due to not needing to attenuate the output level from my I/o from within the software. It sounds much better than my old method of doing the same job. ![]() I wanted the most basic model so that the signal path is simplest and I have plenty of di boxes etc. I've marked it as "okay" for features as it doesn't really have much to play with but that's kind of the point. It's tough, lightweight and I can't ever seeing it getting damaged. The radial firstly struck me as being really well build. It became obvious that a dedicated reamp box was going to save me a lot of hassle and I could actually have it permanently wired into my pro tools rig rather than building something that just did the job out of attenuators and do boxes etc. However, in the last 18 months I've found myself doing more mixing of stuff that other people recorded and when the cab signals don't cut it in the mix If be reaching for that old faithful. It was "alright" and not something I used to do a lot of. Re-amping was something I'd always "got round" before by using various passive devices in line to achieve the same ultimate goal. Suitable for "re-amping" all instruments: Transformer isolation prevents the generation of ripple loops and noise.Built-in level control allows fine adjustment of gain.Makes repeated recording during recording unnecessary. ![]() Playback of recorded tracks through amplifiers and guitar effects.The Radial ProRMP - cost-effective, professional re-amping for every studio! Features A non-slip full base coating ensures a secure hold and avoids electrical contact points which could lead to ground Loops when touching parts of guitar amplifier housings. Surrounded by a 2mm steel plate, the unique "book support" design with a welded double T-beam construction ensures that the ProRMP is protected against damage and the board and the soldering points are not subjected to any loads, which significantly increases the reliability. Like all radial products, the ProRMP is extremely sturdy. The secret of the outstanding ProRMP sound is a specially crafted transformer, which matches the balanced, low-impedance signal source for the connection to the high-impedance input of your amplifier and at the same time serves as a mass splitter, which prevents rumble and other noise in the signal caused by mass loops. The ProRMP Re-Amplifier is extremely easy to use - it is connected between the recording device and your amplifier or effects device and automatically adjusts the impedance. The Radial ProRMP is a fully passive Re-Amplifier that allows you to re-record a previously recorded track through a guitar amp or an effect pedal to create new and exciting sounds. The re-amping technique has always been the "secret weapon" of numerous recordings of the greatest names in the music business and is often used to give a new sound to guitar, bass, keyboard and even vocal recordings. ![]()
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